Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

Friday, November 6, 2009

Muddy with a Buddy

In the spring of 2007, my co-worker Ernest told me about a race called Muddy Buddy. The race consisted of two partners alternating between running and biking for a six mile course which was divided into five legs. At the end of each leg there was an obstacle and at the very end of the race was a very long mud pit that you had to crawl through.

It sounded fun, so we signed up as a team, complete with a terribly obscure name from Futurama – “Team Scooty Puff Jr”. It didn’t seem like a very hard task, plus with several months to prepare, it would be okay. As the days and weeks ticked by, there was very little training, unless you count riding the bike five blocks to my friend Parker’s house to drink beers.

The time flew by and suddenly, the event was a few days away. I packed my roommates bike on to the back of my car, picked up Ernest and we drove out to San Dimas. There was a huge turnout, some in fancy costumes and everyone ready to go.

Upon seeing the course, it was evident to us that somewhere along the registration process, we must have missed the part about needing a mountain bike. The course was full of off-road paths, steep hills, tree roots, and sand. We were going to try and tackle these obstacles with a thin tired city bike. We decided that I would do the bike first and Ernest would begin on foot. This would give me three biking legs, since I was the weaker of the two of us at running.

The race began and all the heavy duty bikers took the lead. I lagged behind a bit and tried to get a rhythm going. The first downhill portion took us on to a beach, through the actual water and back up an even steeper hill. The water was deep enough to make my socks wet, putting me in a pretty foul mood at the time. I parked the bike and tackled the first obstacle - three balance beams – and began on foot. A little while after I began chugging along, Ernest passed by me on the bike and took the lead into the second obstacle – the cargo nets. After the third obstacle – the wall climb – I began running what seemed to be the smoothest and most downhill portion of the course. It was just then when Ernest zoomed by on the pavement, barely even peddling on the bike. After beating the tall, inflatable slide there was one leg left. This was the most ridiculous leg – weaving in and out of trees, steep tight turns while going downhill and a crowded path at that. I ended up running the steepest hill while carrying the bike.

I threw the bike into the parking area and found Ernest. There was one piece left and we were prepared to conquer the famous Mud Pit. In order to make sure you were deep inside the mud, there was a net hanging over the entire thing and you had to get down to crawl through it. I was down to my chin and Ernest was up to his neck, covered in mud.

It felt great succeeding in this task, despite the lack of practical preparation. We both ended up throwing out our shoes and socks into the overflowing garbage can that was already filled by people who had the same idea. There was a small series of tents set up where people were handing out things like free socks and granola bars. After grabbing our samples and hosing off in a crowded outdoor area, we got back in the car and headed out for the spoils of war – pizza and beer.

Friday, June 12, 2009

Driving Phyllis Diller

I landed my first job in Los Angeles through a friend working on a movie set. It was an unheard of independant movie that went nowhere, but it was filming on the Universal lot, which was a big thrill for me. This was before I worked for the company for four years, so the excitement of living and working in Hollywood was still very much a factor.

I was able to drive on to the lot and park behind the house from Psycho. I waved to passing studio tours because for all they knew, I was somebody. The location had all the glamour of Hollywood, but the job itself saw me locked up in a stuffy old trailer making photocopies. The first day I worked nearly fifteen hours for an hourly wage that was not near worth the amount of work I was doing. At this time I was living my terrible USC subletted apartment, so at the end of each day I had to drive all the way back there.

The job was wearing me down after only a few days. I think it was obvious, because one of the slightly higher ups offered me a chance to do something different: go pick up one of the stars and drive them back to the set. Higher budget movies would probably use a town car service, but this one was going to wow the talent with my 1995 Toyota Camry.

With my yahoo map print out in hand, I headed towards the familiar address. I later learned that it was familiar because it was the same street as the OJ Simpson murders. I pulled into the driveway and pressed the button on the intercom, informing her that I was here to take her to the set. The gates slowly swung open and I pulled into the turnaround. I got out of the car and put on the biggest smile I could. Out came Phyllis Diller and her daughter (and/or manager). As I started to head back to the drivers side, I realized she stopped at the passenger side and I needed to open the door for her. It felt like a monumental mistake, but this was my first time, so I tried to shake it off.

As she got into my car, she did not scoot in far enough, leaving just enough of her backside in the way of the door closing. I attempted to close it as gently as I could, thinking it was set. When I sat down and began driving, everything seemed cool, until I noticed the door ajar light was on. I couldn't bare to pull over and say "I'm sorry I forgot to close the door." I had too much pride and did not want to lose my job. Plus, she would think I was a moron, which, as it turns out, I was.

I continued to go as if my Grandmother was riding in the car with me. She can't tolerate any speeds above 30 or even the slightest bumps. The ride took us over the Sepulveda pass on the 405 and on to the 101 back to Universal. A ride that normally took 15 minutes at mid-day ended up taking nearly twice that. Neither of them noticed anything, spending the entire ride trying to figure out how to program Phyllis' new cell phone.

During the entire drive my head was swimming with thoughts of her falling out of the car on to the highway. It would be a very detrimental black mark on my resume if during my first job I ended up killing a comedy living legend.

We made it to the lot and through the security check point. I jumped out and sped around the car to open the door for her. I was trying to make up for not opening the door for her in the first place and I also didn't want her leaning on it to find out it was open. As it turns out, the door had latched just not fully shut, so it wouldn't have opened all the way.

Later that week I declined an offer to pick up Henry Winkler, fearing that something terrible might happen to one of my alma mater's favorite alumni. I left the job a few days before production ended in order to start working at Universal full time in the theme park.

Post Script:
Okay, as I was looking into the movie for this blog entry, I found out that not only did it finally get distribution and a release date, the release date is today, June 12, 2009. It seems purely coincidental that the movie is hitting theaters nearly five years to the date that I actually worked on the set. I would have never even known about it if not for a random googling to check some of the movie details.


See for yourself: http://www.unbeatableharold.com/

Friday, May 1, 2009

Minnie's Case of the Madness

My former roommate Alicia was friends with a girl named Heather who in turn was roommates with another girl named Becca. Our two apartments were basically extentions of each other as we shared many similar interests and fun times together. No time was more fun than when the four of us teamed up to take on Minnie's Moonlit Madness.

Minnie's Moonlit Madness (or MMM for short, in order to preserve my dexterity) was a Disney company based competition that takes place every May on the hollowed ground of Disneyland. Only one of the team members needed to be a mouse house employee - Heather was our in, working in their DVD department. MMM combined a team's knowledge of trivia with the experience of a scavenger hunt inside the gates of the happiest place on earth.

Did I mention that all four team members were tethered together at all times using a rope? This added the unique challenge of being forced to stick close together. The only time people could unclip was for one of the designated restrooms or if a task required it. The bathrooms were monitored by a Disney employee. Any team caught unattached would be disqualified. The whole event was timed, which caused people to move at speeds that shouldn't be attempted while dragging three people with you. It was serious.

Anyone who knows me knows how much of a Disneyland maniac I am. I have read countless books on the park, I have the whole park soundtrack on my I-pod and went there at least a dozen times during my last full year living in southern California. Needless to say our team was excited for the competition - enough so to make matching team shirts with one of the "Lands" on the front. Heather was Frontier, Alicia was Adventure, Becca was Fantasy and I was Tomorrow.

In the pre-game application each team would choose the difficulty of their ten clues, ranging from hard to easy. Being novices, we opted for two or three hard and the rest were easy. The hard ones brought in more points, but well, they were also harder and we had no idea what we were getting ourselves into.

The Disney company closed the entire park at 6:00 for the event. We might have been at a disadvantage being from the Burbank offices, since many of the competitors were employees from the park. They would have the clear advantage of knowing more. Team captains signed in at the designated ticket booths and received their team packets. The envelopes contained team numbers, pens and pencils, a lanyard, a blank standardized testing bubble sheet, maps of every Disney park in the world and a flag of a foreign country. Our bib number was 216, which I thought was lucky, because at the time I had just started dating Lindy, and this was her Cleveland based area code.

Opening session took place in the Snow White theater. Minnie and a cast member explained the rules, followed by 50 rapid-fire multiple choice trivia questions ranging from theme parks to ESPN, basically anything that resided under the Disney company. Each question was only on the screen for a few seconds, so we tried writing down ones that we didn't know right away. A sample question: "Disneyland opened to the public on July 17, 1955. What day of the week was it?"

Disney voluntEARS (their pun, not mine) collected the answer sheets and all of the teams were instructed to head outside to Small World plaza. Each team was instructed to rope up as we were greeted by a video projection on to the front of It's a Small World. There was a long introduction which featured random clips of hundreds of Disney movies. The facade went dark and random International flags appeared on projected in various bubbles. We were given no instruction aside from "your first clue is at this location," just the flags. In front of each flag was a clue written in that country's native language. We had an Italian flag, so when I found that on the screen, I noticed two key words in our clue - "rosa" and "pizza". I didn't know what the other words meant, but I my context clues told me we should go to Red Rocket's Pizza Port, located in the center of Tomorrowland.

At this point it's important to mention there were nearly 300 groups, totalling 1200 people all jammed into one big Disney cul-de-sac. We attempted to navigate towards Tomorrowland, but there were at least 25 flags, so people were headed in every direction possible. Clusters of four were running into each other and getting tangled together. If another group was headed towards us I'd yell out which direction we'd take, in order to avoid a collision. When we made it, taped to the front of the restaurant door was a box with clues in it. We grabbed it and it had the answer, which we had to return to clue central, at the central hub of Main Street USA.

Each answer was only one word. These were figured out by completing a task or solving a complex puzzle. You wrote this word on an envelope and turned it in to clue headquarters to get the next clue. Some required you to venture into the park, others were mind puzzles you could sit down and do right there.

From there the night took off and everything was a blur. We darted all over the park, mostly in the Main Street/Fantasyland/Tomorrowland vacinity, never too far from the Matterhorn or Castle. Some of the more insanely detail oriented clues included:
  • A musical clue where teams were given sheet music and access to a keyboard. Thankfully Becca retained enough of her childhood piano prowess. She played the notes and we had to identify the movie which the song belonged in and take one indicated letter of the movie title. After doing this ten times, we had to unscramble all of the letters. The whole thing felt like when Andie had to play the giant bone organ in Goonies.

  • Walking up and down Main Street and looking at every single window display. Each display had a characters from a Disney movie with a book opened next to them. We had to read the paragraph on each book, answer a comprehension question and unscramble the clue from the fourth letter of each answer.

  • One clue said go to "Where 13 is lucky." We went with our first hunch and high tailed it to the Haunted Mansion and there was nobody there but a very confused janitor. It turned out we needed to find the place on the map numbered 13, which was the Coca Cola pavillion.

  • All of the International maps were used, including having to trace lines between landmarks located around EPCOT's lagoon. These lines would form certain letters which spelled our an answer. The clue only said "Italy, France, Mexico, Canada," which meant put your pen down at Italy, trace to France and so on. This one took us so long to figure out, the woman at the station practically gave us the correct method after we kept asking for hints.

  • Another clue took us to the Mad Tea Party, better known as the Teacups. We had to dash from cup to cup (not easy to do while tied together) and read a trivia question about Alice in Wonderland. The questions were written in a spiral, so we had to keep rotating in order to read them.

In the end, only the top 3 teams got prizes, which ranged from a cruise to hotel stays to dinners. If you weren't one of the winning teams, your results wouldnt be released until a few weeks down the road. We were all very shocked to learn that our team had come in 23rd place, the highest finish ever from someone in Heather's department. To this day her co-workers still talk to her about it.

We returned to the Madness in 2007 and came in 34th (or something close to that). I blame the drop in rank on the fact that it took place across the way at Disneyland's less popular cousin, California Adventure, and the theme was High School Musical.

Friday, April 24, 2009

The State of Autograph Seeking

In the spirit of the recent DVD announcement, I thought I would share some experiences I had personally with each of the members of the mid-90's MTV comedy group, The State. My friend Jay gave me a copy of the groups book "State by State with the State," when we graduated college.

Late Late Show, Michael Ian Black's guest hosting - Various days in September 2006
  • Michael Ian Black, Ken Marino, Kerry Kinney, Thomas Lennon
The idea of autographs first popped into my head during the Late Late Show host audition process. Craig Kilborn had abruptly left and the vacant job would be decided after a series of test runs. When I found out one of the auditioners was Michael Ian Black, I knew I had to try and get him to sign the book. He did well in his first try and got invited back for the final process, in which four candidates did an entire week of shows. Thomas Lennon and Kerry Kinney came in to bits on the show, acting as fake experts in their fields. I believe Lennon brought out a kitten, or a similar animal but would only identify it as a tiger, or something it clearly wasn't. Kerry Kinney told me how people in Reno wrote nasty letters to the Reno 911 offices, saying they were upset it wasn't actually filmed in their city. The people knew it wasn't because of the palm trees that appeared in many shots, and there were no such trees in real Reno.

Ken Marino was on the production guest list, but just to visit and hang out in the green room. He was very outgoing and excited to be there. There was an X-Box and Playstation 2 in the green room, but he was one of the only ones to ever play it, even challenging me to Tiger Woods golf. When he saw I was in possession of the book, he offered to sign it before I could even ask. Then he sat down and re-read it, saying "I haven't seen a copy of this in years." Michael Ian Black was very busy doing work for the show, but right at that moment he came into the green room and Ken showed him the book. Michael said "I suppose you want me to sign it too," while looking just as shocked as Ken to see an actual copy of the book.

I had only thought I would get Michael Ian Black this week, but with four members of the group, my new goal was to get all ten who helped write the book (the eleventh member, Tood Holoubek left the group before the book was made).

Reno 911! Miami Movie Premiere, Mann's Chinese Theater - February 15, 2007
  • Joe Lo Truglio, Michael Patrick Jann, Robert Ben Garrant
Through a website that gave away tickets to advanced movie screenings, somehow I landed two tickets to the Hollywood Premiere of the Reno 911 movie. I thought it would be just another screening, but when the tickets printed out, they said Mann's Chinese Theater. After working in the promo screening business I knew people normally showed up early, and since this was special, I left work at 3:00 to get in line, State book in tow.

The line for the regular people was across the street from the theater, while the bigger names got to walk the red carpet. When they had all gone in, we were shuffled in through a security check point and then in a small side door. After that, we were on our own. Sure, our seats were assigned, but there were celebrities in the lobby, at the concession stands and in the theater. People were everywhere to the point where it probably deserves a separate blog entry, but as I was getting popcorn, I saw Joe Lo Truglio and Ken Marino walk in with their dates.

I didn't waste any time, walking right up to Lo Truglio and asking if he'd sign the book. He graciously did, but afterwards Ken Marino had a look on his face that said "what about me?" Sensing this, I opened to the front inside cover and said "Look, Ken, you already signed for me!" He noted this and said, "That's okay, I'll initial and date it to prove you met me again." In the midst of this, Michael Patrick Jann walked in, and while he was exchanging pleasantries with Lo Truglio and Marino I was able to get him to sign the book as well.

Right before the movie was to start, all of the Reno cast members were going to come in and do a speech. My seat was far enough back that I could see Robert Ben Garant waiting to walk in. I snuck by their security saying I had to go to the bathroom and handed him the book. This ambush led to one of the most regular notes any of the members wrote, "Nice to meet ya." Most of the others either just signed their name or wrote something funny, but catching Garant off guard may have startled him.

My autograph total now stood at seven. Three to go.

Wet Hot American Summer screening, NuArt Cinema - July 28, 2007

  • David Wain

The night of my ex-roommates birthday I saw there was a Wet Hot American Summer midnight screening at the NuArt Cinema. It was taking place a week before the release of David Wain's new movie, The Ten, hit theaters. The web site for the theater advertised Wain would be appearing, along with other special guests, so we had to go.

While waiting in line with several friends, Ken Marino walked out of the theater with flyers for The Ten. He stopped and talked to everyone in line, telling them to go see the movie. Though we were not allowed to go in the theater yet, Lindy and I went into the lobby to "use the bathroom," where we saw Marino standing with David Wain and Peter Salett (guitar dude from the movie).

Lindy was very excited because David Wain is from Shaker Heights, Ohio, just like her. When we walked up to him, she mentioned that and the fact that his father did the voice over work for her fathers radio ads when he ran for judge. David Wain did not really know what to say to this, but clearly was not as excited as she was. Nonetheless, he signed the book, took a picture with us. Marino sort of remembered the book by this point, and decided to initial it a second time, bringing his total to three.

Right as we took the picture, Marino let out a huge, raspy laugh, causing Lindy to crack up.

Wain complimented my shirt, which said "Rodeph Sholom Day Camp." I never went to this camp. I got the shirt at a thrift store years ago and decided it would be good for the screening.

Eight down, two to go.

The State Reunion Show, UCB Theater Los Angeles, March 19, 2008

  • Kevin Allison, Todd Holoubeck
By the time I heard about the State reunion show at UCB West, it was already sold out. Truth is, that theater is so small, there would be no way to get tickets unless you knew someone on the inside, especially for an event like this. I heard through the grapevine that there would be a small number of stand by tickets available. The two shows were at 8:00 and 10:00. I got to the line at 3:30 in the afternoon, and there were five people in front of me.

I met a girl named Sara and her friend while waiting in line. Sara had flown in from Chicago. They were huge fans and we had some good conversation while waiting for them to let people in. When the ticketed people began showing up for the 8:00 show, things looked grim. There was not room for a single person in the stand by line, so we would be outside in the rainy weather for another two hours. We did see several known comedians and "Weird Al" Yankovic go in to the show, which was pretty awesome.

When the crowd exited the first show, everyone loved it. The ticketed people for the second show began to go in. At that point, the stand by line went all the way around the corner. One guy tried to draw his own hand stamp on and got past the door man, causing the stand by line to go ballistic. All of us had seen him do this and knew he could be taking our seat away.

In the end, the first ten or fifteen people got in to the show, and it was great. The whole group, aside from Showalter and Black were there, but they sent in a video skit to play. Since we were in the later show, there was no rush to leave afterwards. We stayed in our seats and the cast began to hang out on stage drinking some beers. I casually walked up on to the stage and chatted with a few of the cast members before making a direct path to Kevin Allison. I told him about my quest and he said he would gladly sign. He had been especially difficult to get because he rarely leaves New York. Todd Holoubek even signed it, even though he had nothing to do with the book. Before I left, I went up to Ken Marino one last time. He initialed and dated the book for a third time.

Stella Live, Comedy Connection Boston, December 11, 2008
  • Michael Showalter
This was it, the white whale. It had been 9 months since my last autograph and I was losing hope. Days and weeks before the show, random facebook photos had been popping up for other stops on the tour which showed the three guys signing autographs. I knew I had to bring the book.

At this point in the history of my book, everyone had signed one page, making it kind of cluttered. The page opposite it was completely blank, so I would tell Michael to sign there, rather than squeeze in somewhere else.

The minute the show ended, I jetted out to the autograph table and was the first one in line. People began to line up behind me as we waited for the guys to push through the crowd. They sat down and I walked right up to Showalter and said "You're the last one I need," and told him he could have the entire page. He drew a large picture on it and wrote "From Mike S."

So there it is, in all it's glory. My quest was complete, three years after it began. I would have never been able to do this without living in L.A. and having some of the jobs that I did out there. Maybe my new quest will be to get them all to autograph the DVD when it comes on July 14th.

Friday, March 27, 2009

Terrible, Horrible, No Good, Very Bad Date

In early 2005 I was still fairly new to Los Angeles. I didn't have many friends there and the ones I did have were trying to fix that problem. My old internship place set me up on a friend date with their new intern. We talked a few times, maybe even went out for a meal or two. She was a local girl, finishing her last semester at USC and I was new. It was nice to meet someone who knew their way around.

After talking a few times she mentioned her sorority and how she wanted to set me up on a date for one of their big events. I agreed because I had nothing to do that night. As it turns out, they would have probably picked anyone for this girl, I just happened to be available on instant messanger at the time. After agreeing, the following things were brought to my attention.
  • It was an 80's party, so people were wearing costumes.
  • It was a mystery bus ride, meaning we met up and were bussed to a surprise location.
  • She was a college freshman who just turned 18. At the time, I was 23-years-old.
The thought of backing out was in my head, but apparently this girl was the last sister to get a date for the event already. I didn't want to hurt her feelings, but in my mind this night had already been downgraded from a potential for fun to a favor for a friend. My date and I exchanged a couple of e-mails, mostly about logistics - costumes, dinner beforehand, address. There was a tiny bit of small talk and it was clear we didn't have so much in common, but that didn't prevent her from "friending" me on Facebook.

I picked her up at her dorm and we drove to the downtown California Pizza Kitchen. There were three or four other couples, all noticeably freshmen in college. It was obvious because all of the guys were mesmerized by when I ordered a beer. After the awkwardness that was dinner ended, the group went back to someones dorm room. The kids all started doing straight shots of cheap vodka. When I opted out, my date called me a party pooper. I reminded her that I had to drive us to the bus pick up. After taking her final shot, she filled a water bottle with the remaining vodka and tore the label off.

We met some place on campus and got on a yellow school bus. My date sipped occasionally from her bottle with the subtleness of carrying it in a brown paper bag, shouting to her friends all over the bus. I opened the window to get some air. It was mostly for her benefit, as she was already drunker than any 18 year old should ever be.

Upon reaching our destination, everyone got two drink tickets. I held on to one and my date grabbed the other from me. Apparently only the people distributing tickets checked IDs and the bartenders were informed to allow anyone who possessed a ticket to use them.

As concerned as I was about her slowly declining sobriety, speech patterns and ability to stand up straight, I was equally concerned that I forgot to wear a belt. This wasn't normally a huge issue, but I picked my jeans that night not based on size, but based on closeness in color to the borrowed denim jacket I wore. The winning pair happened to be my baggiest; at least one, maybe two sizes too large, bought in a time that I thought jeans had to be gigantic. The jeans weren't falling all the way off, but it was a nuisance to have to pull them up every ten seconds.

I danced with my date for a while and was actually starting to have an okay time. Then my date took my lack of wearing a belt as an indication to get handsy. I told her to take it easy and went to find the bathroom. On my way back, I stopped at the bar to look for her. I located her in the darker half of the room making out with some dude with a lot of hair gel and much closer to her age. Nothing could have made me happier. As I was still initially looking in her direction, she opened one of her eyes and caught my field of vision. She stopped making out and came over to me at the bar and asked if I wanted to come play truth or dare in the corner. I politely declined. She went back to that same guy and started going at it again. I glared at the dancefloor, looking right at the friend who set me up. She looked back and mouthed the words "I'm sorry".

I figured this was as good a time as any to use my one drink ticket. Everyone over the age of 21 was given two tickets, but my date snatched one of mine immediately. While getting a beer, I saw the girl whose apartment I subletted the previous summer and I asked if she remembered me. She didnt, and it was probably better that way.

My date was gone. My drink ticket(s) were gone. The worst part was that I couldn't leave. The return bus was still two hours away and I didn't even know where I was. It was a hotel in downtown L.A. I passed the rest of the night on the patio making desperate phone calls.

When we got back on the bus, my date sat with me and fell asleep on my shoulder. The only thought running through my head was the scene from Animal House when Pinto drops his underage date off in a shopping cart. Then I thought about where the closest Ralph's was.

During the return trip, the bus made many campus stops to let people off. My date got up for one of these stops and asked if I wanted to come with her. I said no. She said okay and I saw her walk off with hair gel dude. By the time the bus made it to the original pick up I was one of the only people left. Most of the others got off at various points along the way. I couldn't speed out of there fast enough.

Friday, March 6, 2009

Paley Festival Debacle

The Paley Fest is an annual television panel that features show casts and crew answer questions, show clips and interact with the fans. The shows can be rookies, reunions, solid shows, or the occasional one on one session. Twenty-five years later it remains a very hard ticket to get, but members of the Museum of Television and Radio get first stab at tickets. After enduring a couple of ticketing failures (Arrested Development and Lost) I got a membership for one reason: The Office.

For anyone who has wanted tickets to an event only sold through ticketmaster on-line, you know how dreadfully frustrating that can be. There are virtual waiting rooms where people wait until someone randomly is picked and given the chance to buy tickets. I was on the site 15 minutes before tickets would be on sale. The moment 10:00 am hit, I learned tickets were already sold out.

Impossible. There was no way that this could happen so soon, especially during a members only pre-sale. There could not be this many members eagerly waiting for their chance to get tickets. I was not ready to take no for an answer, but there were no real customer service lines for the Museum of Television and Radio (MTR). Calling the general information number, I was passed around until I got to an assistant who I told about my situation - the birthday membership, the instant sell out, two years of disappointment - I laid it on pretty thick. She called me back later that day having found two tickets for me.

My friend Orli was the biggest Office fan that I knew, so the other ticket was hers. She was at University of Florida, but I knew she would fly across country for it. It was going to be a pretty awesome short weekend. She'd fly in on Friday afternoon, we'd go to the panel that night and possibly Disneyland the next day before heading out to Purim parties.

That's when the situation took a turn for the worse. I got an e-mail from the same MTR assistant. Apparently the tickets she promised to me were promised to someone else at the same time and that person won out. I no longer had tickets, but I did have a friend with a non-refundable cross country flight. I do not remember the exact reply I sent, but I know it contained a lot of words like "outrageous" and "shockingly incompetent," all the while forcefully telling them that there was no way I was getting shut out of the show.

I think it's important to add that during these exchanges, I used my Universal Studios e-mail address hoping to appear I had some pull in the entertainment industry. I don't know why I thought this would help, but for some reason I thought they would try harder to please someone who was actually important, even if they had not heard of this person.

After that fuming message, I was directed towards the events coordinator, who attempted to calm me down. She informed me there were zero tickets but she was trying and I told her that trying was not good enough for someone on a college budget who just spent close to $400 on a flight for the sole purpose of going to this event. Every time we spoke I made it sound worse, driving the stake of guilt right into her as hard as I could.

One of the local radio stations I often listened to gave away tickets every year. I decided a last ditch e-mail to their entertainment reporter would give me an alternate route to receive tickets. I clued him in on the whole situation and what did he do? He betrayed me and forwarded it to the same MTR woman. She wrote back to me and said she was disappointed I tried to go around her to get tickets. I replied telling her she had no right to be disappointed about anything. This continued for about five to six days.

The day before the show I finally got a confirmation e-mail saying that I would have two tickets waiting for me at will call. I decided not to tell Orli, and I let her get on the flight without knowing. I told her there was a concert we could go to if the tickets didn't come through. She was on to this scheme from the beginning and was not surprised at all when I told her.

As for the evening itself, it began with an old episode ("Cocktails"), a preview clip of the not yet aired episode ("The Negotiation"), and a blooper reel. After the reel, the panel came out - everyone except John Krasinski, who received some ribbing for missing it to film a movie with George Clooney (Leatherheads). I got called on in the Q&A session and asked Brian Baumgartner (Kevin) if his character's Police cover band Scrantonicity might get a CD or iTunes release. He turned to one of the producers and said "that is a great idea!" He is a lot more animated than his character on the show.

Towards the end the host announced they would be doing trivia questions. The second question asked what Dwight got Michael for his birthday? Without thinking, my hand shot up and somehow I was the first one seen. As the lady walked towards me with the microphone my brain processed the question and I was able to get the words "hockey jersey" out. The room went silent and the other super fans immediately raised their hands, sensing it wasn't specific enough. I grabbed the microphone back and said "a hockey jersey that said From Dwight on the back." The prize was awesome. It was a gift bag that contained season 1 and 2 on DVD, a hat and an "Office" computer mouse.

When the show ended, the cast stayed around talking on stage, so we stormed up front. Everyone was very nice, taking time to talk with all the fans, signing autographs and taking pictures. The pictures of that night can be seen on my facebook page. The whole night was well worth all the trouble. I only used my MTR membership one other time - to watch video of the Arrested Development Paley Fest that I had missed two years before.

Friday, February 13, 2009

A Five Letter Word for Victory

Lingo was a game show I watched on occasion when I couldn't fall asleep. It certainly wasn't appointment television, or even something that I recorded to watch when I had the time. Contestants had five chances to guess a five letter word with only the first letter given to them. They were told when their letters were in the right spot, or if they had the right letter in the wrong spot. From there, the contestants had to rearrange the letters to reveal the mystery word. To me, the main aspect of the game was the result of mixing a word puzzle with the childhood game Mastermind, but it was then mixed with Bingo. With each correct word, you would have the chance to pull out a numbered bingo ball, in hopes of making a "Lingo". It seemed easy enough to play along at home, but I never thought about trying to be on the show.

One day I came across a craigslist ad looking for Lingo contestants. Usually these ads are the definition of sketchy, boasting "soon to be network shows" or "big money prizes". This was the first time I had seen a game that I had heard of, so I figured it was harmless to send over an e-mail.

I got a reply saying my partner and I could come in and audition next week. As excited as I was, I did not have a partner. This role needed to be filled by someone who had free time, good with words, and was not shy. My friend Matt had just been fired from our job, so clearly he had open availability and could use the extra money. He agreed to come audition and our team was formed.

The audition took place in a studio lot on Sunset Boulevard. They took us into an office building, to open corner of a random room with chairs set up and a dry erase board on an easel. Everyone took seats with their partner and began filling out various paperwork. Had you ever been convicted of a crime? Have you won money on a game show in the last 6 months? The two producers called each team up to hear a personal introduction and try a practice round of Lingo.
While the others took their turns, we had to think of something for Matt to say. It was amusing to say he recently unemployed theme park worker, but he opted for college student. I noticed most of the other teams had at least one actor who was trying to make some cash. Every time a contestant said they were an actor, a producer would stop tape and ask for something else. "People at home don't want to see actors on game shows," one of them said. "That is what sitcoms are for." Most of them settled on labeling themselves as bartenders or personal trainers. When it was our turn, I noticed Matt was a little camera shy, so I hammed it up more than I should have. For our practice round, we used all five guesses to get the word BLEED. Any word with a double letter is tricky - even if you guess the letter, it will only show up in one of the spaces, so it was tougher than expected. With that, the audition ended and we were sent on our way.

It was a while before I got a call. As it turned out, we were selected as the first alternates and a team had dropped out. We were needed to come film the following week, on Valentine's Day. The final detail we heard was that it was going to be a science fiction themed week and we were supposed to dress accordingly.

Matt and I began Lingo boot camp. I recorded every episode I could and we watched them all while we made our science fiction uniforms. These uniforms consisted of two pastel t-shirts we stamped with an atom and a rocket. We had put them together in less than an hour using $12 worth of supplies from an arts and crafts store.

On the day of our taping, we got to the studio in our home-made science fiction gear to find that we were horribly under dressed. There were two girls were wearing full Star Trek uniforms, complete with Spock ears. Another guy had a hat that looked like the planet Saturn. There were light sabers and ray guns. We were the more subtle side of science fiction.

We got into the same room the original audition took place in and sat down. There were seven teams there, six who would film that day and one as an alternate. A man who worked as a game show union fairness representative gave a speech. His job was to go from show to show and make sure contestants understood the rules and believed they got a fair chance. If a contestant felt at any time that we were being cheated we could talk to him after and possibly get a do-over. He made references to the old game show scandal on '21' and most of us just nodded approvingly to move the process forward.

All of the teams drew numbers from a bag to see who would play who, and in what order. I picked the number three, which meant we had to square off against the two female trekkies from the line. We'd also be the last game of the day. They whisked us to the actual studio where each team was isolated in their very own practice room. This was a small dressing room which had a couch, a chair, a bathroom, a table, a dry-erase board with marker and a television. There was also various snacks, a couple of bagels, some trail mix, cheese and crackers, pretzels, candy, water and soda. If we knew the length of time we'd be in there, we would have rationed it better.

We went right to the dry erase board, working out our strategy. The goal was to get all the vowels in play as fast as possible. We went over good four letter combination words to use. We tried words with at least 2-3 vowels every time, like AUDIO, DEALS, SOLAR, BOUTS and TEACH. The main trick was to not use words with repeating or duplicating letters.

We had spent three hours in the room and the food was long since finished. We were all practiced out; the dry-erase board now sat idle in the corner. The standard Springer-type morning television was terribly boring, aside from one car chase. Though we seemed out of options, we also figured that our opponents must be in a similar situation. At least the playing field would be even.

Suddenly our door opened and a lowly P.A. grabbed us and took us to visit the make-up department. Matt went in first as I argued with the wardrobe woman that I should wear my silver shirt unbuttoned over my hand made one. When I got to the chair, Matt's face looked as pale as a kabuki performer. I was worried. We had seen a previous team come out of there looking foolish, with their hair blown out in a wild rejected Jetsons style. One of the ladies said "Let's match the symbols on their shirts on their foreheads also!" We tried to talk them out of this idea, but they had the final say. It would have been fine, but the atomic symbols on our shirts seemed to be too difficult for these women to replicate. Their barely passable ovals looked more like cocktail hot dogs, but the make-up women thought they were fantastic. Looking ridiculous as ever, we were ready for our date with the game show gods.

The set was actually big despite not having a studio audience. I found that amusing, because when watching, I could always hear people laughing at Chuck Woolery's jokes. We became the yellow team and the girls were now the red team. Chuck came out, with rather orange looking skin. He didn't come over to talk to us until the second round when he was required to. Shandi, or however you spell it, came out wearing a tight, black leather outfit which was impossible to walk in. Some brilliant person in wardrobe must have told her it was related to science fiction. Chuck was fascinated by her outfit and repeatedly told her to stand up so "the viewers at home" could get the full picture. The duo had an unusual relationship. When one of them attempted banter, often the other would not respond at all, making it very awkward. Chuck kept making comments about her dress, at one point saying "You're dressed like you should be in one of the movies I rented this weekend." Matt and I looked at each other, not sure if he was saying she looked like a whore or was admitting to renting dominatrix pornography.

The rules were then explained to us by a man in a shiny purple robe who was holding a big green alien mask. I assumed he was dressed up because he would be on screen at some point, but he never actually made an appearance.

The game started, and we had to stare across the stage to this tiny camera in the wall to do introductions. It was nerve wracking, especially knowing there was a stand-by team waiting in the wings in case we stunk up the joint. We won the coin toss, so we went first, took immediate control and didn't let go until we had won. We nailed the first three words. With each correct guess, Chuck would say "reach in there and grab a couple of balls," while we tried our hardest to not giggle. We achieved a Lingo before the first commercial. When the break ended it was time to meet Chuck.



Our strategies proved to be very successful, but we also figured out that the science fiction theme wasn't just for the set. A majority of the words were related to the science fiction genre. The words used for the regular game were: ATOMS, DEMON, RISKY, STEEL, LOSER, CLAWS, PORCH, TOWER, BREED, ROCKS, OUTER, NERDY, and LASER.

The girls finished off the game by getting a few words in a row, but one of them was our own fault. They had guessed NERDS, which had every letter except the last one correct and had flustered them. I leaned over to Matt and whispered "nerdy." As soon as I said it, both of the girls jumped up with the same epiphany and yelled it out at the same time. It was a good thing we were so far ahead, or I would have been upset with their treachery.

As the game went on, the girls became more and more fed up with the fact they were losing. By the time they were able to pick Lingo balls in the second round, they had a noticeably sarcastic tone, knowing there was no way to come back from the deficit. The final score was 575-175. Chuck Woolery said "Some teams just dominate," as he continued to apologize to the girls for the beating we laid down on them.

The words from the bonus round were: FORCE, TITAN, BONES, DWARF, TREKS, EVADE, SPEAR, WHILE. We ran out of time before we could guess the ninth word, which turned out to be GRANT. We had eight chances to win the bonus money and went through almost all of them. By the time we were down to our last three picks, we figured out that mathematically there was no way to lose.

I was scolded by the wardrobe lady for wearing my button down shirt over the home made one. I had forgotten if she told me not to or to keep it on, so when I did, apparently I made the wrong choice. She made some kind of remark about slapping me around in her British accent.

Back in the dressing rooms, we both washed the make up off so fast that our skin hurt. There was no way we'd look that stupid in public, just on expanded cable television. On the way out, we noticed a box of Lingo t-shirts sitting in the hallway and I asked if I could have one for my Grandma. They told us that only the losing team gets to have t-shirts. I even offered them to deduct the price of the shirt from my winnings, but the assistant firmly stood by the ruling that only the losers got to have them. I immediately called my Grandma to tell her that I won, and my mom and dad and sister, but that's it. Everyone else I only told to watch when it was on. The episode aired in June of that year. Six weeks after the episode aired, a full five and a half months later, we each received our share of the $5,000. Not bad for one days work.

Friday, January 16, 2009

Blind Subletting

As my last semester of college began to wind down, it was becoming pretty obvious that I was going to stay in Los Angeles. Before that could happen, I had to go back east for a several weeks. While it made no sense to get an apartment – I hardly had the money to throw away rent on a place I wouldn’t set foot in until the middle of June - I did need somewhere to live when I got back. A sublet was the answer.

I had been in contact with University of Southern California Hillel about attending services, but that never panned out. However, those contacts led me to a school message board where I found a girl named Katie* who had a room available for July and August. Even though I had lived in L.A. nearly four months, most of that was isolated to the Valley. I had no actual idea where USC was. For now it would have to do. The timing and price was right, so I agreed to take the place without once stepping foot anywhere near it. I’d graduate in May, stick around for a while I packed up and head back west in the middle of June. My cousins had already offered to let me stay with them until the room became available on July 1st.

I flew back to the east coast, drank too much, graduated, and my parents threw a tandem graduation party for my sister and I. Then I packed up and returned to California. I spent the next two weeks at my cousin’s house looking for work, which I found at USH. When the time came to move into the sublet I was thrilled about the idea of not living with two kids under the age of six.

The new place took two highways to get to and was just a couple of exits short of a third. I could describe my location as directly south of central Los Angeles. As I turned on to my new street, it was difficult finding a trendy angle-in parking space. Making one more loop around, I found a parallel spot nearby. The neighborhood seemed nice enough at first, but there was seemingly nobody around, lots of nearby construction and loud music coming from various windows. When I got to my building, I stood out front and this is what I saw**



Most buildings on the street were traditional white, brick or brown. My new building was pink, (coral or salmon, depending on who you ask). Someone was leaving as I was going in, and they held the door open for me. Perhaps this should have viewed this as a sign of friendliness instead of a concern for lack of safety. I made my way up two flights of creaky stairs and knocked on the door - it was opened by a heavy set, dark haired girl. Katie* had mentioned there would be others subletting for May and June, so I guessed this was who I was taking over for. The heavy set girl did not say a word; she just opened the door and went back to their room where she was studying with a friend. I walked along the off-yellow colored living room rug and part of me wondered if that was the planned color or one that been achieved over time.

“Hi,” I said, trying to break the ice, “I’m here to start subletting.”
“We’re not done yet. Come back in a few days,” large girl replied.

I told her that I had my stuff with me. Large countered by saying she had finals tomorrow and they needed to study. I agreed to give them extra time, partly because she was scary and partly because I wasn't exactly thrilled with the apartment. She handed me some keys and showed me the door. Taken aback by the situation, I went back to my cousin’s house and e-mail to Katie, who agreed to credit me for time I was not there.

I came back later that week and the girls were nowhere to be found. The apartment looked like it had been abandoned in the middle of a daily routine. Dishes piled in the sink, garbage overflowing and the fridge was a disaster. There was an uncovered large metal bowl filled with a lumpy brown batter-like substance with a spoon sticking out of it. It appeared as if someone tried to make cookies, took a bite, realized it stunk and fled the scene. The smell itself crossed so many levels of foul there were practically stink lines coming off it. I quickly pitched the contents and soaked the bowl in the sink.

The mystery of which bedroom was mine was quickly answered. I tried to open one of the doors and it barely budged. I got it open enough to fit inside – but that’s as far as I got. It seemed the three girls who had lived in the apartment designated this room to hold all of their belongings. Boxes upon boxes were piled up on the floor, on the bed, taking every inch of space. Of the other two rooms, one had a lot more space – because there was no bed. That left me with the smallest room and a metal framed bunk bed. The closet in my room was still mostly full and the plastic dresser drawers were taped shut, so I was forced to lived out of my suitcase.

I didn’t know anyone in my building or in my neighborhood. I would spend all of my free time closer to work and near my family. There was nothing in the apartment for me to do. No television, a terrible air conditioner and faulty Internet that I borrowed from the neighbors - it only worked in the storage bedroom or bathroom. I bought a paper plates, bowls and plastic utensils – nothing was permanent about this place. I had become a traveling salesman, coming home to a shady motel only to sleep, shower and leave.

Independence Day was the loneliest time. No fireworks, no barbecue, no friends. The sole redeeming aspect was that the neighborhood seemed very patriotic. Loud booms were heard throughout the night as I lay in bed. For days following the holiday, I heard the same noises echo throughout the night. In order to actually sleep, I convinced myself that all of the sounds were fireworks.

In those days I was working late shifts at USH that were saved for the newest employees. By the time I clocked out, changed and got home, it was after ten. I tried to put off being home for as long as possible, sometimes by doing unnecessary errands. On a specific night, I juggled three full bags of groceries up the stairs in one trip, not wanting to leave any of my refrigerated goods in the car.

I managed to get the key into the lock, opened the door, immediately dropped all my bags and reached for the light switch. Nothing happened. Like a waiting horror movie victim, I frantically tried it several more times, each yielding the same result. Walking to the kitchen, I soon discovered that none of the lights were working – the power had apparently been shut off. The agreement with the apartment leaser was that the first two month sub-letters would pay utilities for May and June and I would do the same for July and August. This was seemingly dismissed by the large study buddies and now I was suffering. I opened the refrigerator to find my food was as cold as one would expect from a non-air conditioned Los Angeles apartment in July – and it smelled just as fresh.

The refrigerator proved to be the final straw. In a rush, I threw away all of my ruined food, packed up everything I had there, including tonight’s groceries and some hangers that didn’t necessarily belong to me. My cousin reacted surprisingly calm to the late night call asking if I could come back and stay with them until I found a more permanent place.

The next morning I sent off an e-mail Katie, demanding a refund for my rent. She wrote back and agreed, while mentioning the girls who lived there before me had changed their numbers and not returned any of her messages. Giving the key back to her that September was nothing short of painful. It was the first time I was anywhere near USC since that disastrous summer. Katie was no longer in the apartment, having moved into a large, gaudy Sorority House. We exchanged only the simplest of conversation, I handed her the keys and drove off. (I actually ran into her later on in my Los Angeles adventures. She didn’t remember me, but I knew it was her. I'll save that for another entry due out this April.) In the end I got an apartment in a neighborhood that didn’t constantly sound like 4th of July and only was two blocks away from my cousins.

* I can’t remember the girls name for the life of me, and even if I could, I doubt she would want me to mention her in this context. Let’s just call her Katie so I don’t have to keep writing out “the girl who I sublet the apartment from”.
** Image courtesy of Google Maps and its street address stalking ability. I didn't actually take a picture of the building.

Friday, January 9, 2009

Escaping the Gladiators

In the late Fall of 2007, the higher ups at NBC decided to resurrect American Gladiators, a show that hit its popularity peak in the early 90's, when big muscles were king and nobody asked questions about steroids. The show was brought back to appeal to the reality television fans, to focus more on the contender’s hard luck stories than the Gladiators themselves. I was able to score an invite to a taping through a kickball league I played in. The idea was simple: invite players from local kickball divisions to a happy hour event at a nearby bar and then go to the studio to watch a Saturday taping. The players would fit the key demographics sought after by the producers - just old enough to be nostalgic about the Gladiators of their childhood and show host Hulk Hogan, yet young enough to be excited about the potential modernizations. To top it off, the group would be liquored up, thus enjoying it all the more.

That was the plan. The execution went a little different.

I brought along my two friends, Jay and Krysta, who were just as excited as I was. Krysta’s boyfriend Parker had to work and was upset to be missing the outing. We pulled up to the Venice area bar before noon, which is as good a time as any to start having beer on a Saturday. It was a very similar crowd that I had grown used to over the past year. From past experiences I knew that this group was capable of putting away mass quantities of alcohol and almost as many deep fried appetizers. The organizers of this event wisely provided buses from the bar to the studio, which were boarded by the masses. Our stomachs full of midday beer and seasoned fries, we were ready to be entertained. It was just before 2:00 when we arrived outside the lot and like drones, followed the production assistant to the audience line. The excitement level was high. Complete strangers in line forged bonds over their favorite Gladiators and events of yore. The taping of the show was to begin at 2:30 in the afternoon, the second taping of the day. Having just completed the morning filming, the old audience would exit, yielding their seats to several hundred fresh fans.

As time slowly passed, the line, which began at the bottom of a parking structure and formed along the wall and up the ramp did not move. Two things began to occur. The jovial buzz that most of the participants had achieved began to wear off and the brisk wind of a Los Angeles December began to pick up. Most people were wearing shorts and sandals because it was sunny outside - a place we had not seen in almost 90 minutes by this point.

At 3:30 the line moved. The group marched through the back lot like a bizarre school field trip. We moved in a single file line with a couple of production assistants at the head and rear. The route we were taken wove around soundstage after soundstage in a fashion that both threw off our sense of direction and bought more time for the production crew, I figure. Upon reaching the stage, the group was put into another line, this time for a metal detector. While in this line Jay was able to grab the attention of a man with a clipboard and ask a few questions, like which events we would see that day and what the names of these new and improved Gladiators were.

The names we were told varied from the typical "Titan," "Mayhem" and "Crush" to the unusual "Wolf" and "Hellga". Apparently it was spelled with two L's in order to make her appear more sinister. The man with the clipboard reassured us that Hellga was the biggest woman he'd ever seen - so she had that going for her. As far as the events went, we'd only be seeing one: Hang Tough. As a long time Gladiator fan, I respect Hang Tough as one of the classic events. Crossing a giant grid of rings while avoiding the Gladiator has a certain cat and mouse aspect to it - but it can also be undeniably boring. Someone in the creative department must have been notified of that when redesigning the games and decided it should be played over a giant swimming pool (as was the case with nearly every retooled event - someone must have paid for the pool and wanted to get their moneys worth). The other thing we learned was that we'd be seeing 16 consecutive games of the same event. Due to the largeness of the sets, instead of filming an episode straight through, they filmed one event for every different episode at one time. From a production standpoint this is logical, but from an audiences view, it's dreadfully uninteresting.

The line began moving again and we were finally shuffled on to the set. It looked small, with half of the stage occupied by the previously mentioned large pool and the other half having a large gym mat like surface, possibly a gym mat. Knowing already that our event was taking place over the water, it was unnerving to be seated at the complete opposite end of the arena, far away from the would-be action. With out group now completely sober and getting more agitated by the minute, the producers decided to unleash the audience warm up act.

I've seen my fair share of television tapings, all of which come with audience warm up performers. Comedians, magicians, even hypnotists are dispatched into the crowd to make sure the audience does not get bored or fall asleep during the painstakingly long process of making television. This man made a few jokes, mostly at the expense of audience members. He asked what people were excited to see, and our section yelled out "Hellga" to get his attention. The man asked how we knew about her, to which I said "J-Date," a notion that went completely over his head. After some dance competitions that were wildly inappropriate for the children in the audience, there was a spelling bee which I raised my hand for - and when I misspelled the word, this man screamed in my face to sit down. He repeated this action to several more people, making the already volatile crowd dislike him even more. It was 4:45 when Krysta overheard that the new scheduled end time was going to be 8:00 pm and the staff was trying to make people stay. Originally it was supposed to run from 2:30 until 5:00, which would have been fine. Aside from Krysta having dinner reservations at 7:30, the rest of us just decided that a 6 hour taping was more than we could endure. The afternoon outing had turned into a day long torture session. My two friends and I exchanged a couple of knowing glances. We knew exactly what had to be done. We had seen Hulk Hogan walk by the set once, but we had not seen one Gladiator or event. None of that seemed to matter at this point - one way or another, our time in the studio was coming to an end.

A group of audience members were being taken to the bathroom - after all, being held captive for over three hours with nothing but bottles of water really makes you have to go. The three of us joined the group exiting the stage. Fresh air and the last bits of daylight greeted us upon exiting the arena. There were fifteen people on the bathroom field trip. The production assistant saddled with the task of chaperoning us took a diligent count before turning his back to lead the line. We dropped to the back of the pack, and as the group turned a corner, the plan went into action. As if someone had shot off the starting gun, we made a run for it. We could see the lot exit ahead of us; salvation was only steps away. As we turned through the exit gates, a voice from the security booth yelled for us to stop. Our feet stopped, as did our hearts. Was this hourly waged security guard going to make us turn back and watch the rest of the taping?

“You can’t run in the street, please use the sidewalk,” he said.
“Sure, sorry about that,” I mumbled, realizing we were going to make it.

As we hit the street, another thought came to us – the car was still parked at the bar, about five miles away. Attempts to get a cab proved fruitless. Unlike New York, out in Los Angeles patrons usually had to call for their cabs in advance unless they were at the airport or a night club. What the city lacked in accessible cabs, it made up for in Starbucks across from every major studio. We hoofed it over to one on the corner, called for our cab and headed back to the bar. The drive home consisted of primarily two discussions. One about the adrenaline we all felt while running from the lot and the other was basically me repeatedly apologizing for dragging Krysta and Jay into this mess of a day.

Word traveled back to me from a friend who stayed until the end that the taping concluded around 9:00 pm. People began leaving as the studio could not hold them against their will. Yes, they made it out of there as well, but without feeling the wind on their faces as their feet carried them to freedom. I sometimes wonder about the production assistant making another count on the way back from the bathrooms and coming up three people short. Should I feel bad if he got fired?

We never laid eyes on Helga until the show debuted later that summer. The man with the clipboard wasn't just blowing smoke at us; she was about as big a woman as I had ever seen.